How does a movie snob make peace with a summer of blockbusters?

For most movie-goers summer movies emphasize escapism and distractions from that which Pablo Picasso called the dust of everyday life.  But, while many viewers want a break, film snobs like a diet of movies that defies the tradition of escapism and grand distractions.

When summer arrives I know that need to await a film festival or wait until the fall, when the “important” movies come.  I’m peculiar in this tweeted world, where Facebook is a verb:  I believe that patience is a virtue, and vital.  Still, I hate that wait.

Are you the kind of movie-goer who is hungry for stories that defy the tradition of escapism and grand distractions; those smart ones that take risks and push viewers beyond their comfort zones?  Summer’s not your season; you already knew that.

The first idea: hold your nose up, and abstain from the summer of escapism and distractions that serve the masses.  So, you’ll await the “important” movies in the fall.  That’ll test your patience; that’s a long wait!  That’s a bad idea.  It won’t work.

The second idea: in summer 2012, the movie theaters won’t be empty of substance.  “The Dark Knight Rises” promises to provide a smart and sophisticated plot.  And then “Brave,” provides a story of what the Spice Girls called Girl Power; the girl must defy traditions and authorities as she discovers her strengths and herself.  Another one, “Beasts of Southern Wild” provides a story that Imdb describes thusly, “faced with her father’s fading health and environmental changes that release an army of prehistoric creatures called aurochs, six-year-old Hushpuppy leaves her Delta-community home in search of her mother. ”  And “Safety Not Guaranteed” tells the story that Imdb describes as “three magazine employees head out on an assignment to interview a guy who placed a classified ad seeking a companion for time travel.”  These stories themselves might hold you over until September when the substance enters theaters.

The third idea is ambitious: remember the loads of movies that you forgot or ignored in the last how many years because of timing, and catch up.  For example, here’s a list of the most important film for each year in the history of film, or some viewer’s take on the 50 most important documentaries. You probably have a “bucket list” of movies.  Why not use it?

You may want to consider what makes a movie “important” or “serious.”  Here’s a link to a story that I reported in fall 2011.

Way after the headlines, a “Jaws” question was left unasked

Amid the enthusiastic, but shallow and proforma coverage of movie’s anniversary and its significance, no one asked what the summer movie experience was before “Jaws” bit down.

How?  Why?

These are fundamental reportorial questions; it’s strange and awkward that those questions interested no one.  No network news reporters seemed to pose them.

Curious, I strove to report on this topic and found a surprising and bemusing response from scholars and production experts: they were all contained by the same, typical talking point.  “It changed everything.”  No one felt prepared to elaborate; it was as though they these questions caught them off-guard – like those seemingly impromptu questions were off-script.

Elementary research shed some light on this topic: summer had been a dumping ground for those movies, which studios only expected to make a thud.  They had rarely made any profit.

Why didn’t these questions interest any network TV newsrooms?  We’re accustomed – or have resigned ourselves – to blockbuster movies’ dominance.  Some people in the audience probably want to understand that part of film and cultural history.

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